In the form of prints, books and installations I materialize images in the physical space.

Through formal abstraction and associative constellations, I detach them from their original context to re-configurate and shift the certainty about our knowledge of the original and itsĀ“ repetitions and furthermore the past and the present.


The focus of my practice is testing a way of dealing with images, originating from mass media to art history.

I am capturing the motifs with a camera off the computer screen.

I repeat images that are themselves repetitions and part of a cultural memory.

Contextual and formal analogies irritate the facts, we know about theses images.